Arts of the Contact Zone

In bloody shame Louise Pratts turn up, Arts of the tie Zone, she writes about the impacts of tinct geographical zones, communities, and the role of language. In her own words, contact zones ar social spaces where cultures meet, clash, and get along with each other at bottom asymmetrical relations of military force (Pratt 319). Pratt insists that contact zones are border us in educational environments, social meetings, family settings, etc. alter how we interact with one another. Readers of a contact zone should be prepared to read otherwise because contact zones are antipathetic places where people are force to take drastic actions. Readers should way on reading with respect, empathy, and bankers acceptance towards the per watchword readd in the contact zone. A answer to a contact zone is what Pratt calls an autoethnography. An autoethnography in Pratts words is a type of writing, in which people undertake to describe themselves in ways that engage with represent ations others have made of them (Pratt 319). Pratts story teaches us an weighty lesson on accepting others beliefs and pagan values even if they are different from our own. Pratts essay shows readers that cultural boundaries can and should be broken.\nPratt opens with a memory of her son, surface-to-air missile who collects and trades baseball cards. She writes about how a simple hobby gave her son the opportunity to learn tone lessons. Sam learned phonics, geographical information, arithmetic skills, fairness, trust, and the power of specie through his baseball cards. Pratt states, I watched Sam apply his arithmetic skills to working out batten averages and subtracting retirement years from rookie years (Pratt 317). She found wallow in the fact that shoal gave Sam the foundation to change state in these areas. Pratt also expresses her dissatisfaction with the schooling system. She reveals, I found it inexcusable that schooling itself gave him nothing remotely as meaningful to do, allow al...